In This Issue

inFocus
Opera: Origins
Chocolate and Jeeja
Fernando Bonassi
Kostya’s Diaries

inView
Dance
Michael Bettencourt

The Voice of Eugene O’Neill
Arthur Meiselman

Kostya’s Diaries
Nathan Thomas

Stink Eyel
Claudine Jones

Why Mountains Are to Climb
Martin Challis

reView
Film Reviews of
There Will Be Blood
Juno
Charlie Wilson’s War
Miles David Moore

Opera
Origins: How does an
opera come about?
Karren Alenier

Film
Chocoate
with...  Jeeja
Janine Yasovant

Film
Turquoise Rose
What Navajo made that movie?
Carole Quattro Levine

inSight
Theater
Steiny Road To Operadom
In Circles
Karren Alenier

Books
La Femme, La Mujer, La Donna
Un artiste sans la crainte
Marjane Satrapi
Lia Beachy

Poetry
Life Among The Heffalumps
Shakespeare and Sit-coms
Kathi Wolfe

Comics
Old Hippy
Fun In The Boiler Room
Part 6
Elliot Feldman

Books
Fernando Bonassi
In his own landscape
Andrea Carvalho Stark

Scene4 Blogs
the readers blog
Qreviews
Qué Pasa

Writers Blogs
The Dressing-Karren Alenier
On Miles David Moore-Miles David Moore
Life In Acting-Martin Challis
Thai Nights-Arthur Meiselman
Dr. Barnabas T. Bynum's New School
 Musical Revue and Travelling
Minstrel Show-Les Marcott
 

New Technology
Dell
XPS-M1530 - Notebook
Olympus
E3 - Digital SLR

International Magazine of Arts and Media United States [Los Angeles, New York, San Francisco, Washington, D.C., Seattle] Thailand [Bangkok, Chiang Mai], United Kingdon [London] Australia [Brisbane], Singapore, Brazil [Rio de Janeiro] Canada [Toronto], Greece [Athens]

Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media - 6920 Roosevelt Way NE, Seattle, WA 98115. Copyright © 2000-2008 AVIAR-DKA Ltd - Aviar Media LLC. All rights reserved (including author and individual copyrights as indicated). All copyrights, trademarks and servicemarks are protected by the laws of the United States and International laws. No part of this issue may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording for public or private use, or by any information storage or retrieval system, without the prior written permission of the publisher............